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			<title>建築的惑星／迴轉壽司新幹線</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8282&amp;goto=newpost</link>
			<pubDate>Mon, 06 Sep 2010 03:00:28 GMT</pubDate>
			<description>Source from 聯合新聞網 (http://udn.com/NEWS/READING/X5/5830645.shtml)

【聯合報╱李清志】2010.09.06
 
Image:...</description>
			<content:encoded><![CDATA[<div>Source from <a href="http://udn.com/NEWS/READING/X5/5830645.shtml" target="_blank">聯合新聞網</a><br />
<br />
【聯合報╱李清志】2010.09.06<br />
 <br />
<img src="http://img198.imageshack.us/img198/7981/58306452412250.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
最近京都地區推出「新幹線迴轉壽司」，令人驚喜！李清志 ．攝影<br />
<br />
鐵道運輸不斷地更新建設，傳統鐵道系統在工商社會對於時間的要求下，逐漸蛻變為高速鐵道系統或磁浮鐵道系統，顯示出人們對於速度的重視與壓力。同樣是從鐵道得到靈感而出現的「迴轉壽司」，最近竟然也進化成最新的「新幹線迴轉壽司」，令人覺得十分驚奇！<br />
<br />
迴轉壽司基本上是一種手工藝與機械大量生產的結合，原本壽司就是日本傳統引以為傲的料理，壽司師傅十分重視「手感」，因此製作握壽司是不能戴手套的，紐約的衛生當局曾經要求壽司店師傅，在製作握壽司時，必須戴手套以保持食物的衛生，卻引起壽司師傅的群起抗議，因為戴上塑膠手套，壽司師傅失去手感，就無法捏出完美的壽司。<br />
<br />
但是在現代工商生活對於速度的要求下，為了兼顧手工藝與機械大量生產，便發展出迴轉壽司。迴轉壽司結合了壽司師傅手工技藝，以及機械大量生產的輸送帶系統，壽司師傅可以用手工親自捏製壽司，又可以用輸送帶很快地送到客人面前，形成了一種機械時代兼顧手工技藝的完美食物生產方式。<br />
<br />
迴轉壽司的迴轉速度是有學問的！壽司轉台的輸送帶速度若太快，老人小孩可能因為身手不夠敏捷而拿不到食物，輸送帶速度若太慢，則會讓人有看得到卻吃不到的遺憾。目前市面上的迴轉壽司台，基本上都保持著剛好可以取食的標準速度，為了加快顧客換桌率而改變輸送帶速度，可能會因為顧客拿不到食物，不願前來消費，反而得不償失。<br />
<br />
最近京都地區推出了新式的迴轉壽司店，標榜電腦點餐與新幹線系統，用來與傳統的迴轉壽司店對抗。新式的迴轉壽司店除了傳統的輸送帶系統之外，另外加上了桌邊電腦點餐螢幕與新幹線快速送餐專用軌道，顧客可以在電腦螢幕上點選原來輸送帶上所沒有的食物，然後就會有一台新幹線列車外型的送餐列車，從專用快速軌道上駛來，直接送餐到你的桌邊，讓人驚喜萬分。<br />
<br />
新幹線迴轉壽司系統基本上就是傳統迴轉壽司店的進化版，事實上，迴轉壽司店早就有許多不同的進化版本，有人使用真正的火車模型來送餐，有的店則以「曲水流觴」式的運河小船系統送餐，都成為招攬顧客的特色。當人類從機械時代進入電腦時代之後，迴轉壽司店自然也要進化成更快速的新幹線迴轉壽司系統，新幹線迴轉壽司除了是招攬顧客的噱頭外，它也是飲食文化時代性的具體呈現。<br />
<br />
【2010/09/06 聯合報】</div>

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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
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			<title>Beethoven Hall in Bonn / Zaha Hadid</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8281&amp;goto=newpost</link>
			<pubDate>Mon, 06 Sep 2010 02:54:57 GMT</pubDate>
			<description>Source from
Image: http://www.evolo.us/wp-content/themes/evolo2/images/logo.jpg ...</description>
			<content:encoded><![CDATA[<div>Source from<br />
<a href="http://www.evolo.us/architecture/beethoven-hall-in-bonn-zaha-hadid/" target="_blank"><img src="http://www.evolo.us/wp-content/themes/evolo2/images/logo.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
<font color="#000000"><font face="Arial"><font color="#504945"><font face="Helvetica,tahoma,Arial,verdana,sans-serif"><font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif"><a href="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-2.jpg" target="_blank"><img src="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-2.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
</a></font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif">A central priority in <a href="http://www.zaha-hadid.com/" target="_blank">Zaha Hadid Architect’s</a> urban design concept for a new Beethoven Festival Hall is linking the city of Bonn to the Rhine River promenade and leveraging that idea’s potential to enrich public life on the river’s edge.<br />
</font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif">Learning from the missed opportunities during the planning of the existing building in the 1950’s, Zaha Hadid Architect’ proposal not only incorporates a high degree of porosity in its site plan, but intensifies the connection by introducing a transparent “Rhine Foyer” into the building mass; a dramatic atrium that stretches from the City to the Rhine. With two main façades, the building presents itself in an open and inviting manner to the River and the City, allowing for deep visual links through its crystalline mass. The light Rhine Foyer will make audiences and performers feel comfortable and relaxed but simultaneously excited by the anticipation of a unique experience.<br />
</font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif">Site circulation can take place uninterrupted through various levels inside and around the building. Artificial landscape formations lead from inside the building to terraced outdoor areas, interweaving the elevated foyer levels with surrounding exterior plateaus. The stepped topography on the Rhine invites Bonn residents and visitors to informally enjoy outdoor performances. The main public route is a large diagonal passage, an ‘erosion’, running from the city through the Rhine Foyer and down a large exterior staircase to the river promenade. The promenade is sliced into curvilinear seating that gently step down to the Rhine, facing a seasonal floating performance area on the water’s edge. Illumination from within the foyer, embedded in the ground, and floating in the water will change the character of the site and building during evening performances.<br />
</font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif">images ©Zaha Hadid Architects</font><br />
</font></font></font></font><font color="#000000"><font face="Arial"><font color="#504945"><font face="Helvetica,tahoma,Arial,verdana,sans-serif"><font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif"><a href="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-1.jpg" target="_blank"><br />
<img src="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-1.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif"><a href="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-3.jpg" target="_blank"><br />
<img src="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-3.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif"><a href="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-4.jpg" target="_blank"><br />
<img src="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-4.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></font><br />
<font face="Helvetica,Tahoma,Georgia,Arial,verdana,sans-serif"><a href="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-5.jpg" target="_blank"><br />
<img src="http://www.evolo.us/wp-content/uploads/2010/09/beethoven-hall-5.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></font><br />
</font></font></font></font></div>

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			<dc:creator>filip</dc:creator>
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			<title>監工拒放水 被黑道打成斷腿、失智</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8275&amp;goto=newpost</link>
			<pubDate>Sun, 05 Sep 2010 17:00:44 GMT</pubDate>
			<description>聯合新聞網 更新日期:2010/09/05 09:56...</description>
			<content:encoded><![CDATA[<div>聯合新聞網 更新日期:2010/09/05 09:56 記者鄭朝陽／台北報導<br />
<br />
「要確實監工，那就是不要命了！」工程會主委范良銹為了找方法管好道路工程，日前赴台電南區工程處和第一線工程人員座談。台電員工向他抱怨，有兩個同事按契約和圖面監工，結果被廠商找來黑道毆打，一個打斷腿，一個打成失智，「實在太惡質了」。<br />
<br />
台電員工說，被毆傷的同事都是在回家的路上被突襲，他們只是按規定要求道路施工品質，沒想到對方出重手，「害兩個家庭破碎」。<br />
<br />
范良銹聽了搖頭長歎，內心相當沉痛，大罵廠商「沒人性」，也讓他想起水利署也有類似經驗。他說，八八風災過後，河川和水庫清淤工程因為有可觀的利益，水利署河川局員工卻飽受威脅，由於擔心自己和家人安全，「寧願被記大過，也不願辦清淤工程」。<br />
<br />
工程會察覺後，找法務部幫忙，結合檢調政風單位查察，並到縣市政府舉辦巡迴座談，訂出執行準則，才推進清淤進度，至今有九千多萬立方公尺成果。<br />
<br />
范良銹說，地方勢力把持工程利益的生態由來已久，這讓基層公務員不是選擇同流合汙，就是心生畏懼，不敢依法行政，「這次工程會是玩真的，要破除基層人員的恐懼，把中小工程管好，也守護民眾的安全」。<br />
<br />
范良銹說，過去工程會把查核重心放在五千萬以上的重大公共工程，今年起聚焦在道路等中小工程。不過，由於中小工程品管大多是地方政府職責，工程會將透過抽查工程品質，要求地方負起責任、嚴格品管，也藉此幫地方排除壓力。</div>

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			<dc:creator>tai</dc:creator>
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			<title><![CDATA[The Horse on the Ceiling by Zauberscho[e]n]]></title>
			<link>http://www.archifield.net/vb/showthread.php?t=8261&amp;goto=newpost</link>
			<pubDate>Thu, 02 Sep 2010 09:17:04 GMT</pubDate>
			<description>Source from
Image: http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif ...</description>
			<content:encoded><![CDATA[<div>Source from<br />
<a href="http://www.dezeen.com/2010/07/29/the-horse-on-the-ceiling-by-zauberschoen/" target="_blank"><img src="http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
<font color="#000000"><font face="Arial"><div align="left"><font color="#231f20">July 29th, 2010<br />
</font></div></font></font><br />
<font color="#000000"><font face="Arial"><div align="left"><font color="#231f20"><img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-1-1.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
This glass library by new studio <a href="http://www.zauberschon.eu/" target="_blank">Zauberscho[e]n</a> stands in a former stable yard in Münster, Germany.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-9.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Entitled The Horse on the Ceiling, the structure is located on the Leonardo campus of <a href="https://www.fh-muenster.de/" target="_blank">The University of Applied Sciences</a> and serves the schools of art, architecture and design.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-4.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The roof is supported by columns with forms derived from photographs of horses’ legs, while a gap between the new building and the existing stable block illuminates the older brickwork.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-5.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Rainwater is collected from the roof and cascaded in a curtain of water over the windows.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-7.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The project was completed while the architects were still studying, in collaboration with Professor Herbert Buehler of Buehler und Buehler.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-6.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Photographs are by <a href="http://www.rolandborgmann.com/" target="_blank">Roland Borgmann</a>.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-8.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Here’s some more information from Zauberscho[e]n:<br />
<hr style="border-width: 1px 0px 0px; border-style: dotted; border-color: rgb(0, 0, 0); height: 1px; margin: 0px 0px 16px;">the horse on the ceiling<br />
<br />
Library for Architecture, Art and Design, Leonardo Campus, Muenster<br />
The New building stands in front of the stables of the Leonardo Campus in the north of Muenster and joins with the academy of art, the muenster school of architecture and the all three institutions are merged in a library and stand behind the walls of a part of the former horse stables. The shelves required more space. But where?<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-1.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
In the past horses stood in front of the stables, now the books are going to stand there.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-11.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
They are framed by a glass facade whose large-sized glass panels are reinforced by glass fins. This façade, made out of especially clear glass, shapes the building through its great transparency. The books so become during daytime and especially at night from the outside an important focus of the university campus and so form a memorable sign of education.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-2.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The space is divided into three parts and offers different working atmospheres to the students. Up front the facade develops into three study-carrels for an undisturbed learning, in the rear stands a large table for groups, separable as required through an acoustic curtain. As a transformable element it can form an individual thinking-zone or open up a larger area. The outside is printed with a digitally generated motive on the basis of the “School of Athens“ by Raphael. Through its indifference the curtain gene- rates a constantly changing relation to space.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-3.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Gottfried Sempers postulate for polychromy and his conclusion that colour has a less bawling effect than glaring plain white becomes clear in the interaction of intense green ceiling and black floor with the chromaticity of the trees outside and the brick color of the surrounding buildings. Looking through the facade the surrounding appears in high gloss, much more colourful as this can be experienced outside the building.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-4.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
In the rear of the building the wing-like roof rests on three columns. Their form is orientated on a moment of movement of the leg of a horse who has been moving there in former times. They are digitally generated and a product of a computer supported, modern steel technology.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-5.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
In Muenster it rains a lot. Along an open cullis the entire length of the building the rainfall is being staged and becomes a spatial experience as it drops down like a curtain in the form of a second layer in front of the glass facade. The rainwater is being collected in an infiltration ditch in front of the building and returned ecologically to the terrain.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-6.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Between the new and old roof a light gap illuminates the historic stable wall. Stairs and openings in the wall prevent standstill and contribute to an interconnection of historic building and new extension.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-7.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Client: Land Nordrhein-Westfalen<br />
User: University of Applied Sciences Muenster, Academy of Art Muenster<br />
Function: Library for Architecture, Art and Design<br />
Location: Leonardo-Campus Muenster<br />
Programm: 400sqm, 1450 shelf-meter, 3 studycarrels, singleworkingzone, conferencezone<br />
<br />
Architects: Planungsgemeinschaft zauberscho(e)n, Muenster Buehler und Buehler Prof. Dipl. Ing. Architekten BDA, Muenchen<br />
Team (design): zauberscho(e)n: Mathias Horstmann, Andreas Schuering, Stephan Weber Buehler und Buehler: Prof. Prof. h.c. Herbert Buehler<br />
Team (realization): zauberscho(e)n: Andreas Schuering, Stephan Weber Buehler und Buehler: Prof. Prof. h.c. Herbert Buehler<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/07/dzn_Library-by-zauberschoen-8.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Structural engineer: Ingenieurgemeinschaft Fuehrer Kosch Juerges, Aachen<br />
General contractor: Averbeck Bau GmbH, Ostbevern<br />
Steel construction: Bentheimer Stahl und Hallenbau, Bad Bentheim<br />
Facade planning /-construction: Josef Gartner GmbH, Gundelfingen<br />
Planning + construction time: 2008-2010<br />
Completion: April 2010<br />
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			<title>LUMA parc des ateliers by frank o. gehry</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8260&amp;goto=newpost</link>
			<pubDate>Thu, 02 Sep 2010 08:06:01 GMT</pubDate>
			<description><![CDATA[<object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/S20rlorHFm4?fs=1&amp;hl=zh_TW"></param><param name="allowFullScreen"...]]></description>
			<content:encoded><![CDATA[<div><object width="640" height="385"><param name="movie" value="http://www.youtube.com/v/S20rlorHFm4?fs=1&amp;hl=zh_TW"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/S20rlorHFm4?fs=1&amp;hl=zh_TW" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"></embed></object><br />
<br />
as a special event at the 12th international architecture exhibition in venice, italy,<br />
the luma foundation presents an architectural project for a new cultural model,<br />
designed by frank o. gehry and gehry partners, LLP.<br />
LUMA / parc des ateliers is a multi-purpose park located in the centre of arles, france.</div>

]]></content:encoded>
			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
			<guid isPermaLink="true">http://www.archifield.net/vb/showthread.php?t=8260</guid>
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			<title>Mimesis Museum by Álvaro Siza, Carlos Castanheira and Jun Sung Kim</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8257&amp;goto=newpost</link>
			<pubDate>Thu, 02 Sep 2010 04:14:47 GMT</pubDate>
			<description>Source from
Image: http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif ...</description>
			<content:encoded><![CDATA[<div><font color="#000000"><font face="Arial"><div align="left"><font color="#231f20">Source from<br />
<a href="http://www.dezeen.com/2010/09/02/mimesis-museum-by-alvaro-sizacarlos-castanheira-and-jun-sung-kim/" target="_blank"><img src="http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
<font color="#000000"><font face="Arial"><div align="left"><font color="#231f20">September 2nd, 2010</font></div></font></font></font></div></font><div align="left"><font color="#231f20"><br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-1.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Portuguese photographer <a href="http://ultimasreportagens.com/" target="_blank">Fernando Guerra</a> has sent us his photographs of this museum for modern art in South Korea by architects <a href="http://alvarosizavieira.com/" target="_blank">Álvaro Siza</a>, <a href="http://www.carloscastanheira.pt/" target="_blank">Carlos Castanheira</a> and Jun Sung Kim.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-3.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Mimesis Museum has a flowing concrete form that wraps around a central courtyard, and was inspired by a sketch of a cat that Siza drew upon arriving at the site.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-4.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The three-storey building has services in the basement,  gallery spaces and reception on the ground floor overlooked by a mezzanine with a cafe and staff area, while the first floor is entirely gallery space.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-5.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The interior has whitewashed walls and ceilings, and marble and timber floors on the ground and first floor respectively.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-22.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The exterior is pale grey concrete punctuated by steel-framed windows.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-6.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
All photographs are by <a href="http://ultimasreportagens.com/" target="_blank">Fernando Guerra</a>.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-9.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Here’s some more from the architect:<br />
<hr style="border-width: 1px 0px 0px; border-style: dotted; border-color: rgb(0, 0, 0); height: 1px; margin: 0px 0px 16px;">Mimesis Museum, Paju Book City, South Korea (2006 – )<br />
A cat has become a museum.<br />
<br />
There once was a chinese emperor who liked cats a lot, and one day he called upon the most famous painter in the Empire and asked him to paint him a cat. The artist liked the idea and promised that he would work on it. A year passed and the Emperor remembered that the painter still had not given him the painting of the cat.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-11.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
He called him: What of the cat? It is nearly ready, answered the artist. Another year went by, and another and another. The scene kept repeating itself. After seven years, the Emperor’s patience came to an end and he sent for the painter. What of the cat? Seven years have gone by.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-12.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
You have promised and promised but I still haven’t seen one! The painter grabs a sheet of rice paper, an ink well, one of those brushes like you can only get in the East and… in an elegant and sublime gesture he draws a cat, which was not just a cat but only the most beautiful cat ever seen.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-13.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The Emperor was ecstatic, overwhelmed with such beauty. He did not neglect (which is no longer the case nowadays) to ask the artist how much he would charge for such beautiful drawing. The painter asked for a sum which surprised the Emperor. So much money for a drawing that you did in two seconds, in front of me? said the Emperor.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-14.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Yes Excellency, that is true, but I have been drawing cats for seven years now, replied the poor painter. The project for the Museum Mimesis, already under construction in the new town of Paju Book City in South Korea, is a cat. The client didn’t have to wait for seven years for his drawing of a cat, but Álvaro Siza has been drawing cats for over seven years now. He has never seen a Korean cat, because he has never been there.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-15.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
In one day I briefed him on the site, and brought along a small site model, showing the boundaries and the immediate context. In one single gesture, a cat was drawn. The Mimesis is a cat. A cat, all curled up and also open, that stretches and yawns. It’s all there. All you need to do is look and look again.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-16.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
At first the design team members could not understand how that sketch of a cat could be a building. I have in my days seen many sketches of cats, and am always overwhelmed by them, can’t get tired of them. I want to see more cats, more sketches of cats, for several seven years have gone by. In architecture, after an initial sketch comes the torment.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-17.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The initial design, models, drawings, corrections to these, doubts, new drawings, new models, a presentation to the client, who had already seen other projects but could not conceal his surprise at this one. Once approved, we progressed the project on through the usual steps, which in Korea are shorter and less bureaucratic. The brief has not been altered, but it is necessary to make some adjustments as part of the evolution process.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-18.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
To think of materials, techniques, infra-structure, representational conventions, so that everyone understands, in an attempt to make everything work out. In the basement we will have the archives, the service area, maybe an extension to the exhibition area, as is becoming a habit in museums designed by Álvaro Siza. The ground floor is a space for arrival and distribution, areas for temporary exhibitions and a café/restaurant with all necessary back up.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-19.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Administration areas, staff circulation, area for the administrative archive and staff toilets are located in the mezzanines. The top floor is for exhibition space. Light, always light, so carefully studied. Both natural and artificial is seen as essential.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-10.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Allowing to see without being seen. Models and more models were constructed, some of which you could enter into.Also 3D images. Form will be given by cast concrete, light grey, the colour of a cat.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-7.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Inside, the white of the walls and ceilings, of the marble, which we hope will be from Estremoz and also the honey colour of Oak. Timber for the internal frames, and glass. As for the external windows, timber, painted steel and crystalline glass.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-21.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Project: Mimesis Museum<br />
Client: Open Books Publishing Co.<br />
Location: South Korea, Paju Book City<br />
Design Period: 01.2006 / 09.2007<br />
Construction Period: 10.2007 /<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-20.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Architects: Álvaro Siza with Carlos Castanheira and Jun Sung Kim<br />
Project Coordinator: Dalila Gomes<br />
Construction Coordinator: Young-il Park<br />
Collaborators: Chungheon Han; João Figueiredo (3D)<br />
Structure: Gayoon ENC, Jungang Constructural Engineering Consultant<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/09/dzn_Mimesis-Museum-%C3%81lvaro-Siza-23.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Mechanical Installations: Hansan Engineering Co.<br />
Electricity: Jung-Myoung Engeneering Group Co.<br />
Construction Company: Hanool Construction Co.<br />
Model: Álvaro Negrelo<br />
Photography: Fernando Guerra – FG+SG Fotografia de Arquitectura</font><br />
</div><br />
</font></div>

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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
			<guid isPermaLink="true">http://www.archifield.net/vb/showthread.php?t=8257</guid>
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			<title>妹島和世：探索新的建築語言</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8240&amp;goto=newpost</link>
			<pubDate>Mon, 30 Aug 2010 22:41:47 GMT</pubDate>
			<description>Source from  
Image: http://s.wsj.net/img/compressed_head.gif  (http://online.wsj.com/article/NA_WSJ_PUB:SB127862346969214913.html)
編譯 by...</description>
			<content:encoded><![CDATA[<div>Source from  <a href="http://online.wsj.com/article/NA_WSJ_PUB:SB127862346969214913.html" target="_blank"><br />
<img src="http://s.wsj.net/img/compressed_head.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<a href="http://www.abbs.com.cn/report/read.php?cate=1&amp;recid=29340" target="_blank">編譯 by ABBS建築論壇<br />
<img src="http://www.abbs.com.cn/title.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
HELEN YOUNG CHANG<br />
<br />
2010年「普利茲克建築獎」獲得者日本建築師妹島和世（Sejima Kazuyo）與西澤立衛（Ryue Nishizawa）的新任務，是設計法國的「羅浮宮博物館」朗斯分館（Louvre-Lens），並且策劃「威尼斯建築雙年展」（Venice Architecture Biennale）。<br />
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<img src="http://www.abbs.com.cn/pic/2010/ribenjianshi1.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
<b>精心打造「羅浮宮博物館」朗斯分館</b><br />
<br />
在法國北部朗斯鎮的一個廢棄的採礦工地，擠滿了頭戴安全帽的工人。未來的「羅浮宮博物館」朗斯分館（Louvre-Lens）將出現在這裡。建築師妹島和世（Sejima Kazuyo）喝了一口冒著熱氣的咖啡，手中拿著一包香煙。她問記者要點什麼。今天朗斯的氣溫是攝氏26度，在簡易的拖車辦公室裡也感到很熱。但炎熱的天氣似乎沒有影響妹島和世——今年的「普利茲克建築獎」（Pritzker Prize）獲得者和下一屆「威尼斯建築雙年展」（Venice Architecture Biennale）的策劃者，她正與工作人員低聲談話。<br />
<br />
「羅浮宮博物館」朗斯分館的建設工作比計劃推遲了一年，在這個6月初的下午，妹島和世的工作人員身著貼身襯衣、斜紋花尼短裙和黑色寬鬆運動外衣，緊張而有序地工作，以保持建設計劃的進度。4台起重機盤旋在土堆和深坑的上方，博物館的地基正在澆灌混凝土。「羅浮宮博物館」朗斯分館投資1.5億歐元，有5個展覽館，其長度超過500米，預計竣工時間為2012年。但它已經成為有35,000人口的朗斯鎮驕傲的緣由。朗斯在競爭中戰勝了其他5個城鎮，贏得了這個項目。<br />
<br />
在這個博物館的內部，來自巴黎「羅浮宮博物館」的收藏品，將作為這個博物館的永久性收藏品的一部分進行展出。一個半永久性的展覽館——「臨時展出館」（Gallery du Temps,）將展出按時間順序排列的世界歷史——從公元前4,000年到19世紀。與巴黎的羅浮宮按地區（例如近東、東方或非洲）分別展出不同，這裡的展覽品將混合展出，以表現更全面的、更少「以歐洲中心的」觀點的歷史。<br />
<br />
54歲的妹島和世向記者描述這個博物館建成後的情況。她說：「展覽品的佈置將隨年代而定，使參觀者能夠理解時間與雕塑品之間的關係，並且想像，『我是它的一部分』。」<br />
<br />
妹島和世以東京為基地，每個月乘飛機來到朗斯。妹島和世在當代日本建築的導師——伊東豐雄（Toyo Ito）的建築事務所開始她的職業生涯。6年後，在1988年，她離開了伊東豐雄的事務所，最終和西澤立衛（Ryue Nishizawa）建立了SANAA建築事務所。他們共同獲得了今年的「普利茲克建築獎」。 SANAA建築事務所善於設計開放的、似乎沒有重量的建築，這種建築的內部外部之間有一種「激進的關係」。過去的10年中，SANAA建築事務所增強了在國際上的地位。SANAA建築事務所著名的作品包括日本金澤的大量使用玻璃的「21世紀當代藝術博物館」（21st Century Museum of Contemporary Art）；在紐約的粗獷，然而活潑的「新當代博物館」和去為倫敦設計的雅致、蜿蜒的臨時展出館。妹島和世開闢了一條廣闊的道路。她的事務所的Alumni、包括紐約So-Il建築事務所的弗羅裡安-愛登伯格（Florian Idenburg）和東京的石上純也（Junya Ishigami），都是下一代建築師中的傑出成員。<br />
<br />
<b>對空間及其對人的影響的很強的識別力</b><br />
<br />
在這個特殊的日子，工程師和咨詢師突然拜訪這個工地上的臨時辦公室。妹島和世會說她知道的一點法語：「您好（Bonjour!）」。有時她的電話鈴聲響起，她會用日語應答：「Moshi, moshi!」在這兒，至少可以說3種語言，包括英語。實際上，妹島和世僅能用日語室完整地表達自己的意思。她的明亮的眼睛和靈活的手指更能幫助她與別人交流。這兒的主要語言是建築。為了說明空間和它的系統的潛力，妹島和世將她的頭向牆壁傾斜，彷彿在傾聽。然後她伸出她的手，彷彿去感覺某些看不見的東西。她說：「結構是非常重要的。即使它是看不見的。結構類型是造成一些人們能感覺到的體驗。也是空間之間的關係：空間就在旁邊，你不能看見，但你能感覺到。」<br />
<br />
這種對空間及它對人們的影響的很強的識別力——即使看不見，是她設計的作品的特點。妹島和世和西澤立衛最近公開了他們迄今為止最大的項目——瑞士洛桑的「勞力士學術中心」（Rolex Learning Center）。這是洛桑理工學院（Ecole Polytechnique）的校園大樓，包括圖書館、辦公室和用餐區。以波狀起伏的屋頂和樓板，組成了一種連續的「風景」。<br />
<br />
妹島和世把這種設計模式比做一個公園。她說：「在公園裡，有不同種類的人，有老人和小孩。他們在一起，但他們的目的是不同的。一些喜歡獨處，一些人喜歡運動。許多不同的事情發生在同一個空間，並且這個空間允許它們發生。它對每一個人開放。但在一定程度上，你也能定義你自己的空間。這是一種非常開放的空間。」<br />
<br />
<b>「威尼斯建築雙年展」的第一個婦女策劃者</b><br />
<br />
去年秋天，當妹島和世被邀請去策劃「威尼斯建築雙年展」時，一個「當代建築雙年展調查」從8月29日至11月21日進行。她猶豫不決。她說，在考慮了大約10天之後，她終於接受了。她說：「我認為，可能再也得不到這種邀請。」她是這個雙年展的第一個婦女策劃者。她也是在扎哈-哈迪德（Zaha Hadid）之後，獲得「普利茲克建築獎」的第二個婦女。妹島和世與以前的雙年展策劃者不同，她是一個開業建師，而不是一個建築理論家。<br />
<br />
她為這個雙年展確定的主題是「人們相會在建築」（People Meet in Architecture）。回到了建築的最基本的要求。而不是將建築與技術、新的形式或政治聯繫在一起。它的集中點是，建築僅作為事件、人和社會的「容器」。簡言之，就是將建築作為「背景」而不是「前景」。在進行研究和工作室訪問3個月之後，妹島和世和她的辦公室選擇了46個參與者，參加在威尼斯的「造船廠」（Arsenale）舉行的雙年展的主要準備工作。「造船廠」是一幢長而深廣的建築物，是威尼斯人造船的地方。<br />
<br />
值得注意的是，今年是傑出的工程師和藝術家的展示。他們中有建築師塞利斯-溫-埃文斯（Cerith Wyn Evans）、藝術家托馬斯-德曼德（Thomas Demand）和珍妮特-卡迪夫（Janet Cardiff）。妹島和世說：「我認為，更多的人能夠更好地自我體驗。最後，每一個人都能獲得他們自己的展覽形象。」<br />
<br />
在威尼斯，她著手除去「造船廠」的黑色棉布內襯，以讓自然光線進入。展覽的每一個參與者，都可以獲得一個空間，展出他們希望展出的東西。妹島和世說，建築展覽是非常困難的，因為我們不能展出實際的建築物。所以，這次展出的目的是展示一系列的單獨空間，而不是通常的微型建築模型。<br />
<br />
5月份，妹島和世在威尼斯測試了「造船廠」上空的雲層。她在一個小團體的幫助下，乘飛機穿過產生水氣的雲層。雲層迅速下降。她說：「這表明，環境是非常敏感的。我們能夠迅速地監測它。」<br />
<br />
如果有人還不相信空間的魔力。這次雙年展希望說服最後的無神論者。妹島和世說：「真實空間對於交流是非常重要的。我希望打造那樣的空間。媒體、移動電話技術和電腦改變了人與人之間的關係，縮短了人們之間的距離，但空間仍然是存在的。這就是我從事建築設計的興趣所在。」<br />
<br />
原作者：海倫-英昌（HELEN YOUNG CHANG）<br />
<br />
圖片<br />
<br />
<img src="http://www.abbs.com.cn/pic/2010/ribenjianshi2.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
日本長野的O-Museum博物館（1999）內部<br />
<br />
<img src="http://www.abbs.com.cn/pic/2010/ribenjianshi3.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
日本長野的O-Museum博物館外觀<br />
<br />
<img src="http://www.abbs.com.cn/pic/2010/ribenjianshi4.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
日本金澤的「21世紀當代藝術博物館」<br />
<br />
<img src="http://www.abbs.com.cn/pic/2010/ribenjianshi5.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
2009年7月，日本建築師妹島和世與西澤立衛在倫敦「蛇形藝廊」（Serpentine Gallery）公佈他們設計的臨時展出館（Serpentine Gallery Pavilion）。</div>

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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
			<guid isPermaLink="true">http://www.archifield.net/vb/showthread.php?t=8240</guid>
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			<title>Living with Books and Art by UNStudio</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8232&amp;goto=newpost</link>
			<pubDate>Mon, 30 Aug 2010 06:10:19 GMT</pubDate>
			<description>Source from
Image: http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif ...</description>
			<content:encoded><![CDATA[<div>Source from<br />
<a href="http://www.dezeen.com/2010/08/27/living-with-books-and-art-by-unstudio/" target="_blank"><img src="http://static.dezeen.com/wp-content/themes/dezeen_AA/images/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
August 27th, 2010<br />
<br />
<font color="#000000"><font face="Arial"><div align="left"><font color="#231f20"><img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-8.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Dutch firm <a href="http://www.unstudio.com/nl/unstudio/contact/address" target="_blank">UNStudio</a> have introduced curved walls and sweeping ceiling lights to this Manhattan loft to create a gallery, library and living space for an art collector.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-2.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The new walls, which meander through the long and wide loft, are used to hang art and display books on self-lit shelves.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-3.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
18,000 LEDs sit behind light diffusers that span the ceiling and provide local and ambient light in variable shades.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-4.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The existing fenestration has been replaced with ceiling-height windows to maximise views across downtown Manhattan.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-9.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
The curved walls are made of fibreglass reinforced with gypsum panels, while the floor has been finished with douglas-fir boards.<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-6.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
Here’s some more from the architects:<br />
<hr style="border-width: 1px 0px 0px; border-style: dotted; border-color: rgb(0, 0, 0); height: 1px; margin: 0px 0px 16px;">Living with Books and Art: a loft in New York, USA 2007-2010The UNStudio design for an existing loft located in Greenwich Village in Manhattan explores the interaction between a gallery and living space. The main walls in the loft flow through the space, and together with articulated ceilings create hybrid conditions in which exhibition areas merge into living areas<br />
<br />
<b>History</b><br />
<br />
The collector and the architect became acquainted several years ago when UNStudio was involved in the renovation and expansion of the Wadsworth Atheneum. That project was never realized, but soon after the collector spoke of his intention to have a house designed by his new friend, the architect. Over the years, the pair regularly visited possible sites for this new house in the suburbs of Hartford.<br />
<br />
Then, in a phone call to Amsterdam in the early spring of 2007 the collector announced he had bought a loft space in Manhattan. The architect finally received his commission: not for a house, but for a home for the collector and his art and books.<br />
<br />
<b> Unifying Art and Urban Living</b><br />
<br />
The design of the loft in downtown Manhattan mediates between art gallery and living space. The existing loft space was characterized by challenging proportions: the space is long and wide, but also rather low. Gently flowing curved walls were introduced to virtually divide the main space into proportionally balanced spaces. This created zones of comfortable proportions for domestic use, while simultaneously generating a large amount of wall space for the display of art.<br />
<br />
The meandering walls frame an open a space that privileges long perspectives, with more sheltered corners and niches nestled in the curves. In this hybrid space exhibition areas merge into the living areas; a floating exhibition wall blends into library shelves on one side and into a display case on the other side. The client as collector had sought a space in which he could live comfortably while interacting with the many paintings, objects and books he has brought together over the years. The loft aims to merge life and art by facilitating these daily interactions, and by making clearer his own unusual way of seeing<br />
<br />
<img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-7.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
Field of Light<br />
<br />
While the walls form a calm and controlled backdrop for the works of art, the ceiling is more articulated in its expression of this transition. By interchanging luminous and opaque, the ceiling creates a field of ambient and local lighting conditions, forming an organizational element in the exhibition and the living areas.<br />
<br />
The opaque part of the ceiling consists of subtly arched elements that give a notion of an limitless ceiling which disguises the real height of the space<br />
The luminous part of the ceiling is backlit by 18,000 led lights. This extensive membrane of light serves multiple purposes; it balances the proportions of the loft by creating an illusion of height, functions as unobtrusive space divider, and can be programmed to illuminate the space with various shades of light, from the coolest, most neutral daylight, to warmer tones. By interchanging between luminous and opaque, the ceiling becomes a field of ambient and local lighting conditions.<br />
<br />
<b> Framing the view<br />
</b><br />
The third element that the architect has added to this mix is the appreciation of the city which is expressed in the ‘framing of the views’. The former windows in the South wall have been replaced by full floor to ceiling glass panes that frame and extend compelling views, over a full glass balcony, toward downtown Manhattan.<br />
<br />
<b>Materialization</b><br />
<br />
The main walls and ceilings flow through the space, creating hybrid conditions in which exhibition areas merge into living areas; an exhibition wall blends into led illuminated library shelves on one side and a display case on the other. To enable this uniform and seamless space, partly double curved glass fiber reinforced gypsum paneling is used. Within these curved wall elements most of the technical installations like HVAC and lighting have been integrated.<br />
<br />
As a last element a Douglas fir floor with 1½ feet wide planks covers the entire loft. The subtle, even-toned floor unifies the space and allows furniture and art to be positioned as floating elements in changeable constellations.<br />
<br />
<a href="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-10_1000.gif" target="_blank"><img src="http://static.dezeen.com/uploads/2010/08/dzn_Living-with-Books-and-Art-by-UN-Studio-10.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above for larger</i> <i>image<br />
</i><br />
New York, USA 2007<br />
Client: Anonymous<br />
Location: Greenwich Village, Manhattan New York, USA<br />
Building area: 550 m2<br />
Building Programme: Loft renovation into Apartment / Private gallery Status: completed 2010<br />
<br />
Credits<br />
UNStudio: Ben van Berkel with Arjan Dingsté, Marianthi Tatari and Collette Parras<br />
<br />
Advisors<br />
Executive architect: Franke, Gottsegen, Cox Architects, New York. Team: Matthew Gottsegen, Bruce Harvey, Matt Shoor<br />
Structural engineer: Wayman C. Wing Consulting Engineers, New York<br />
MEP: P.A. Collins PE Consulting Engineers, New York<br />
Lighting design: Renfro Design Group, Inc., New York<br />
Contractor: 3-D Laboratory, Inc. New york</font></div></font><br />
</font></div>

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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
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			<title>Taastrup Theater by COBE</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8220&amp;goto=newpost</link>
			<pubDate>Sun, 29 Aug 2010 06:08:08 GMT</pubDate>
			<description>Source from
Image: http://www.bustler.net/images/nav/logo.gif  (http://www.bustler.net/index.php/article/taastrup_theater_by_cobe/)

    ...</description>
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<a href="http://www.bustler.net/index.php/article/taastrup_theater_by_cobe/" target="_blank"><img src="http://www.bustler.net/images/nav/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
     Copenhagen-based <a href="http://www.cobe.dk/" target="_blank">COBE</a> has just sent us their recently completed project for Taastrup Theater. The theater has recently been shortlisted for <a href="http://www.worldarchitecturefestival.com/" target="_blank">WAF 2010</a> in the group <a href="http://www.worldarchitecturefestival.com/shortlist_detail.cfm?projectCategoryId=45&amp;eventYear=2010" target="_blank">New and Old</a>. <br />
<br />
     <b>Related news:</b><ul><li><a href="http://www.bustler.net/index.php/article/cobe_wins_competition_for_the_new_norreport_train_station_in_copenhagen" target="_blank">COBE and Public Architects Win Competition for the New Norreport Train Station in Copenhagen</a></li>
<li><a href="http://www.bustler.net/index.php/article/cobe_and_transform_to_design_new_copenhagen_culture_house_library" target="_blank">COBE and Transform to Design New Copenhagen Culture House + Library</a></li>
<li><a href="http://www.bustler.net/index.php/article/winners_announced_at_world_architecture_festival_in_barcelona" target="_blank">Winners Announced at World Architecture Festival in Barcelona</a></li>
<li><a href="http://www.bustler.net/index.php/article/world_architecture_festival_awards_unveil_17_winners" target="_blank">World Architecture Festival Awards Unveil 17 Winners</a></li>
</ul><!--/.TextBodyRelated-->     <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR7.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR7-530x275.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      The project for the extension and renovation of Taastrup Theatre seeks  to improve the communication of the building with its environment – a  social housing neighborhood. Formally we were commissioned to improve  the energy consumption of the 1970s local community theatre in the  Copenhagen neighborhood of Taastrup. Yet, we use this opportunity to  improve the general appeal and functionality of the building by  introducing a second (isolating) theatre curtain around the rough  concrete structure.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR2.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR2-530x795.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      By adding this new layer in front of the existing rough concrete  structure, the building is extended and opened as wide as possible  towards Kjeld Abels Plads north.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR6.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR6-530x634.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      The new translucent facade subtly reminds us of a theatre curtain about  to open when the play starts. In fact, when the tickets are outsold or  the show is on, red lights underneath the facade broadcast the special  atmosphere of this magic moment towards the square. This new composition  underlines the unity of the old building and its extension as one piece  of architecture.  <br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_Kim_Wendt.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_Kim_Wendt-530x354.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Kim Wendt<br />
<br />
      The facade is conceived as a translucent curtain of acrylic prisms  elegantly embracing the existing building, and creating a new open  foyer, arrival area, and café. A whole new spatial dimension is added to  the building newly connecting the formerly enclosed interior with the  outside. Now the theatre visually and spatially connects to both Kjeld  Abels Plads north and the protected green courtyard south of the  theatre. With this overall concept, the theatre now has the possibility  to involve the surroundings by exposing its activities. The facade is  assembled from acrylic prisms. The material is very robust and because  of its shape it has an exciting effect at day and night time, when the  light from inside will glow out to the surroundings. The prisms vary  from totally clear and transparent over translucent to opaque. Because  of the many elements of irregular shapes and the variance in  translucency, the facade is a beautiful play of shadows and reflections.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR4.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR4-530x795.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      The facade of the theatre includes a number of gates creating  connection and access between the foyer and the theatre space. These  gates can be opened or closed depending on the arrangement. So the  theatre has the possibility to work as one coherent floating space, or  separately as a theatre space and a foyer.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR10.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR10-530x795.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      With the renovation of the interior we pay reference to the aesthetics  of classical theaters in order to soften the appearance of the rough  concrete structure. Gold colours, mirror pixel tiles, crystal  chandeliers – all things that not only children associate with theatre -  are mixed with fluorescent lamps, an RGB bar, and modern design chairs  by Paustian.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR-530x795.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      The theatre’s service functions are upgraded: Restrooms and café are  moved from the basement to the first floor, which means that now all  non-technical functions are gathered on the ground floor. Bar, box  office, and administration are consolidated as a functional block that  can now be run by one person. Hereby, the staff flow is optimized so  that capacities become available for theatre work.<br />
<br />
   <a href="http://www.bustler.net/images/news2/Credit_Foto_STAMERS_KONTOR8.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/Credit_Foto_STAMERS_KONTOR8-530x354.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Photo by Stamers Kontor<br />
<br />
      The modernisation considerably improves the theatre’s logistics. The  new facade wraps the theatre in new dramatic apparels. Together,  interior renovation and the exterior curtain help establishing a solid  project that improves the organization and communication of the building  significantly - we proudly present Taastrup Theatre!<br />
<br />
   <a href="http://www.bustler.net/images/news2/concept_diagram.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/concept_diagram-530x107.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Concept Diagram<br />
<br />
      Taastrup Theater is shortlisted for WAF2010 in the category New and Old.   <br />
<br />
   <a href="http://www.bustler.net/images/news2/existing_theater.jpg" target="_blank"><img src="http://www.bustler.net/images/sized/images/news2/existing_theater-530x345.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<i>Click above image to view slideshow</i><br />
Previous Theater<br />
<br />
      Location// Taastrup, Denmark<br />
    Client// Realdania and Taastrup Municipality<br />
    Program // Renovation and extension of existing theater<br />
    Size // Renovation 1.400 m², new building 250 m²<br />
    Status // Completed<br />
    Co-operator // COWI A/S</div>

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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
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			<title>Concrete Water Tower / Giuseppe Occhipinti</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8204&amp;goto=newpost</link>
			<pubDate>Thu, 26 Aug 2010 04:19:43 GMT</pubDate>
			<description>Source from
Image: http://www.archdaily.com/wp-content/themes/archdaily/logo.gif ...</description>
			<content:encoded><![CDATA[<div><font color="#000000"><font face="Arial,Helvetica,sans-serif"><font color="#555555">Source from<br />
<a href="http://www.archdaily.com/74653/concrete-water-tower-giuseppe-occhipinti/" target="_blank"><img src="http://www.archdaily.com/wp-content/themes/archdaily/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<font color="#000000"><font face="Arial,Helvetica,sans-serif"><font color="#bbbbbb">By <a href="http://www.archdaily.com/author/karen/" target="_blank">Karen Cilento</a><br />
</font></font></font><br />
<a href="http://www.archdaily.com/74653/concrete-water-tower-giuseppe-occhipinti/tower-after/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282740848-tower-after-386x500.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">Water Tower after Addition</font></div><br />
<b>Giuseppe Occhipinti</b>, an Italian structural engineer and the co-founder of <b><a href="http://www.archdaily.com/tag/engineering-seismic-consulting/" target="_blank">Engineering Seismic Consulting</a></b> (ESC), has shared his seismic water tower design with us.  While ESC amends structural problems for projects on a variety of scales, the firm also develops conceptual projects.   Their latest conceptual project is a reuse for a typical tall water tank to aid urban needs.  The seismic addition not only adds a functional entity but also adds an aesthetic touch to the tower.<br />
<br />
More images and more about the tower after the break.<br />
<br />
<a href="http://www.archdaily.com/74653/concrete-water-tower-giuseppe-occhipinti/tower-before/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282740858-tower-before-380x500.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">Water Tower Before Addition</font></div><br />
The mushroom-shaped concrete water tower incorporates a vertical concrete pipe that absorbs seismic horizontal actions.  The new addition is connected to the existing concrete and the steel floors, so that the external vertical structure can be reduced to simple compression.<br />
<br />
<a href="http://www.archdaily.com/74653/concrete-water-tower-giuseppe-occhipinti/section-227/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282740863-section-353x500.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">Tower Section</font></div><br />
After different studies of retrofitting these seismic components, the addition saves a considerable amount of money in its construction.  At the top of the water tower is a viewing walkway that shows an uninterrupted view of the landscape.<br />
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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
			<guid isPermaLink="true">http://www.archifield.net/vb/showthread.php?t=8204</guid>
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			<title>Horizontal Skyscraper / Steven Holl / Matthias Wolff</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8189&amp;goto=newpost</link>
			<pubDate>Tue, 24 Aug 2010 02:09:13 GMT</pubDate>
			<description>Source from
Image: http://www.archdaily.com/wp-content/themes/archdaily/logo.gif ...</description>
			<content:encoded><![CDATA[<div><font color="#000000"><font face="Arial,Helvetica,sans-serif"><font color="#555555">Source from<br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/" target="_blank"><img src="http://www.archdaily.com/wp-content/themes/archdaily/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-5/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600680-steven-holl---vanke-headquarter-5-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© d.teil</font></div><br />
In June, we featured <b><a href="http://www.stevenholl.com/project-detail.php?type=mixeduse&amp;id=60&amp;page=0" target="_blank">Steven Holl’s</a></b> <a href="http://www.archdaily.com/66199/horizontal-skyscraper-steven-holl/" target="_blank">latest Horizontal Skyscraper</a> which hovers above a landscaped park in <a href="http://www.archdaily.com/tag/shenzhen/" target="_blank">Shenzhen</a>, <a href="http://www.archdaily.com/tag/china/" target="_blank">China</a>. <b>Matthias Wolff</b>, an ArchDaily reader and also <a href="http://www.archdaily.com/74119/ad-round-up-best-from-flickr-part-xvii/" target="_blank">a contributor to our Flickr roundups</a>, shared some of his photographs of Holl’s building with us.  Wolff, aka<a href="http://www.flickr.com/photos/dteil/" target="_blank">d.teil</a>, shot these images at the complex’s opening this past December, when some of the complex’s components – such as the hotel – were still under construction.  Since the grounds are open to the public, the project will truly affect a large scope of people, both natives and visitors of the area.  Wolff’s photos provide a clear understanding of the building’s varying materiality, as well as its situation within the designed terrain. What do you think of Holl’sproject?<br />
Check out more photos after the break.<br />
<br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-16/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282601013-steven-holl---vanke-center-16-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© d.teil</font></div><br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-12/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600769-steven-holl---vanke-headquarter-12-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© d.teil</font></div><br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-9/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600730-steven-holl---vanke-headquarter-9-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© d.teil</font></div><br />
<a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-14/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600554-steven-holl---vanke-center-14-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© d.teil</font></div><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-14/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600554-steven-holl---vanke-center-14-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-15/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600568-steven-holl---vanke-center-15-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-17/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600585-steven-holl---vanke-center-17-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-18/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600598-steven-holl---vanke-center-18-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-19/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600616-steven-holl---vanke-center-19-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-20/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600628-steven-holl---vanke-center-20-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-2b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600640-steven-holl---vanke-headquarter-2b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-3/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600653-steven-holl---vanke-headquarter-3-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-4/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600666-steven-holl---vanke-headquarter-4-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-5/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600680-steven-holl---vanke-headquarter-5-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-6/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600692-steven-holl---vanke-headquarter-6-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-7/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600704-steven-holl---vanke-headquarter-7-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-8/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600718-steven-holl---vanke-headquarter-8-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-9/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600730-steven-holl---vanke-headquarter-9-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-10/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600742-steven-holl---vanke-headquarter-10-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-11/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600757-steven-holl---vanke-headquarter-11-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-12/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600769-steven-holl---vanke-headquarter-12-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-headquarter-13/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282600788-steven-holl---vanke-headquarter-13-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/74396/horizontal-skyscraper-steven-holl-matthias-wolff/steven-holl-vanke-center-16/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1282601013-steven-holl---vanke-center-16-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© d.teil</dd></dl><br />
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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
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			<title>Terrace Villa / Solid Space Atelier</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8158&amp;goto=newpost</link>
			<pubDate>Tue, 17 Aug 2010 03:05:37 GMT</pubDate>
			<description>Source from
Image: http://www.archdaily.com/wp-content/themes/archdaily/logo.gif 
By Nico Saieh (http://www.archdaily.com/author/nicosaieh/)

Image:...</description>
			<content:encoded><![CDATA[<div><font color="#000000"><font face="Arial,Helvetica,sans-serif"><font color="#555555">Source from<br />
<img src="http://www.archdaily.com/wp-content/themes/archdaily/logo.gif" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<font color="#000000"><font face="Arial,Helvetica,sans-serif"><font color="#bbbbbb">By <a href="http://www.archdaily.com/author/nicosaieh/" target="_blank">Nico Saieh</a><br />
</font></font></font><br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/2-e-day/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623631-2e-day-528x350.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></font></div><br />
Architects: <b><a href="http://www.ssatelier.net/" target="_blank">Solid Space Atelier</a></b><br />
Location: <b>Baoshan Township, Hsinzhu county, <a href="http://www.archdaily.com/tag/taiwan/" target="_blank">Taiwan</a></b><br />
Project Area: <b>308 sqm</b><br />
Project Year: <b>2009</b><br />
Photographs: <b>Su Yon &amp; Stone Shih</b><br />
<br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/4-roof/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623646-4roof--125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a> <a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u2-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623740-u2-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a> <a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u3-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623761-u3-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a> <a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u8-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623883-u8-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
<br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/first-floor-plan-121/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624131-first-floor-plan-528x422.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">first floor plan</font></div><br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/second-floor-plan-132/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624133-second-floor-plan-528x382.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">second floor plan</font></div><br />
Located at the foothill of an enclosed two acre wooded site, the housing design addresses the synthesis of two potentially opposing conditions: the modernistic model of a house with traditional Chinese building typology known as Chinese quadrangles as genealogy. By rethinking later model not as discrete entity but a formal and organizational strategy. This specific site also inspires us to employ topological models which operate at two scales: a volumetric organization which allows continuity between landscape and building and a fine scale surface striation that both integrates and articulates geometry and material as they shift from the intensive space of the interior to the extensive space of the exterior.<br />
<br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u4-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623787-u4-a-528x262.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></font></div><br />
<a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u7-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623869-u7-b-528x351.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><div align="center"><font color="#999999">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></font></div><br />
Three light wells that symbolizes the main programmatic intervention were nested within the modules established by the structural grid, these light wells generated private internalized outdoor spaces that is geometrically driven by the overall organization. On the external expression, the set back volumes promote a more didactical relationship between building and landscape, achieving a certain level of privacy and comfort. Sectional qualities of these terraced volumes with light wells encourage natural ventilations within the units and floors as well as creating a space in displaying the qualities of light and shadow throughout the day.<br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/2-e-day/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623631-2e-day-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/1-w-night/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623616-1w-night-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/3-roof/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623639-3roof--125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
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<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/7-corners-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623679-7corners-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/8-terraces/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623692-8terraces-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/9-entry/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623696-9entry--125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/10-se-corner-night/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623701-10se-cornernight--125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/11-night-court/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623704-11night-court-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/12-corner-night/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623708-12corner-night-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u1-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623718-u1-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u1-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623724-u1-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u1-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623733-u1-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u2-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623740-u2-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u2-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623747-u2-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u2-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623753-u2-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u3-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623761-u3-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u3-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623772-u3-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u3-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623779-u3-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u4-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623787-u4-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u4-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623797-u4-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u4-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623806-u4-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u5-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623813-u5-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u5-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623823-u5-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u5-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623830-u5-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u6-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623836-u6-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u6-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623845-u6-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u6-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623852-u6-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u7-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623860-u7-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u7-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623869-u7-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u7-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623876-u7-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u8-a/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623883-u8-a-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u8-b/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623893-u8-b-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/u8-c/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281623902-u8-c-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">© Courtesy of <a href="http://www.archdaily.com/tag/solid-space-atelier/" target="_blank">Solid Space Atelier</a></dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/site-plan-210/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624143-site-plan-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">site plan</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/first-floor-plan-121/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624131-first-floor-plan-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">first floor plan</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/second-floor-plan-132/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624133-second-floor-plan-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">second floor plan</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/section-01-171/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624135-section-01-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">section 01</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/section-02-161/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624137-section-02-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">section 02</dd></dl><dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/section-03-72/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624139-section-03-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">section 03</dd></dl><br />
<dl class="gallery-item" style="float: left; margin-top: 10px; text-align: center; width: 174px;"><dt class="gallery-icon"><a href="http://www.archdaily.com/72920/terrace-villa-solid-space-atelier/section-04-33/" target="_blank"><img src="http://www.archdaily.com/wp-content/uploads/2010/08/1281624141-section-04-125x125.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a></dt><dd class="gallery-caption" style="margin-left: 0px;">section 04</dd></dl><br />
</font></font><br />
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			<category domain="http://www.archifield.net/vb/forumdisplay.php?f=10">建築人_設計案_概念_理論_說法</category>
			<dc:creator>filip</dc:creator>
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			<title>築八卦陣／城市的濃妝與淡抹</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8134&amp;goto=newpost</link>
			<pubDate>Sat, 14 Aug 2010 22:29:09 GMT</pubDate>
			<description>Source from 聯合新聞網 (http://udn.com/NEWS/READING/REA8/5786917.shtml)

【聯合報╱本報記者╱陳宛茜】2010.08.15
...</description>
			<content:encoded><![CDATA[<div>Source from <a href="http://udn.com/NEWS/READING/REA8/5786917.shtml" target="_blank">聯合新聞網</a><br />
<br />
【聯合報╱本報記者╱陳宛茜】2010.08.15<br />
 <br />
詩人蘇東坡曾如此稱讚杭州之美：「欲把西湖比西子，濃妝淡抹總相宜」。不過，杭州政府上月通過「杭州主城區建築色彩專項規劃」和「杭州市城市建築色彩管理規定」，規定杭州新建築只能「淡抹」，不能「濃妝」，建築色彩也不再由地產商「說了算」。<br />
<br />
兩年前，杭州城市規畫局委托中國美術學院色彩研究所進行「杭州城市色彩規畫研究」，拍攝近兩萬張建築照片，終於決定以「江南水墨畫」般的灰色，做為杭州城的「底妝」。<br />
<br />
研究人員發現，杭州在大規模的城市改造中「缺乏色彩管理」，新建樓房隨意使用黃色、金色、墨綠等醒目顏色，廣告招牌更是色彩混亂，破壞了城市的視覺和諧之美。他們指出，缺乏色彩規劃使杭州人「長期生活在視覺疲勞的環境中」。<br />
<br />
研究人員追溯歷史，指出杭州古城的色彩便以「黑白灰」為基調。他們認為，杭州的氣候較熱，應以冷色調為宜；而作為山水城市，建築必須「謙虛」、扮演襯托湖光山色的背景。灰就是這麼一種「謙虛」的顏色。<br />
<br />
中國美術學院副院長宋建明指出，杭州選定的灰不是黯沉的灰，而是「彩色的灰」─灰色系裡有幾萬種顏色，就像一幅淡彩水墨畫。<br />
<br />
在甫通過的「杭州主城區建築色彩專項規劃」中，杭州被想像成一幅「水墨畫加油彩畫」，西湖是水墨畫的重心，沿湖地帶色彩較暗，接著一層層向外漸漸明亮，到了新城區就成了色彩鮮亮的油彩畫。<br />
<br />
據了解，杭州城未來會分為工業區、住宅區、商業區、辦公區等區域，確定不同的色調，但都必須融入這幅「淡彩水墨畫」中。<br />
<br />
為城市規定「底妝」，杭州不是第一個。1981年日本便曾提出「城市空間色彩規劃方案」，2004年正式頒布「城市景觀法」，規定色彩為城市規劃或建築設計的最後一個環節，必須通過城市色彩委員會的認可。<br />
<br />
巴黎則規定，新建、改建、擴建房屋時，都必須嚴格延續巴黎的歷史色調，否則「拆」無赦。首爾進行城市更新時，也用近兩年的時間進行色彩規劃設計，並要求所有新建築的色彩，都必須融入城市的主色調。<br />
<br />
反觀台灣，兩年前文建會雖曾推動「台灣生活美學運動計畫」，鼓勵各縣市政府研究整理城市色彩、建立城市色彩，但迄今並無具體政策，台灣人依然生活在霓虹燈般絢爛卻混亂的視覺環境中。什麼時候，台灣人也可以找到一種顏色，來描繪我們身邊美麗的城市呢？<br />
<br />
【2010/08/15 聯合報】</div>

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			<title>寶藏巖公共藝術永久設置</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8097&amp;goto=newpost</link>
			<pubDate>Thu, 12 Aug 2010 03:21:04 GMT</pubDate>
			<description>寶藏巖公共藝術永久設置

Image: http://img442.imageshack.us/img442/5350/11490572.jpg  (http://img442.imageshack.us/my.php?image=11490572.jpg)
Image:...</description>
			<content:encoded><![CDATA[<div>寶藏巖公共藝術永久設置<br />
<br />
<a href="http://img442.imageshack.us/my.php?image=11490572.jpg" target="_blank"><img src="http://img442.imageshack.us/img442/5350/11490572.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /></a><br />
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			<dc:creator>張基義</dc:creator>
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			<title>日本蝸居裏的大生活:Lucky Drops</title>
			<link>http://www.archifield.net/vb/showthread.php?t=8089&amp;goto=newpost</link>
			<pubDate>Wed, 11 Aug 2010 07:48:01 GMT</pubDate>
			<description>Source from 中國經濟網 (http://big5.ce.cn/gate/big5/intl.ce.cn/gjzx/yz/201008/11/t20100811_21710242.shtml)

*日本蝸居裏的大生活:Lucky Drops堪稱建築瑰寶*

2010年08月11日...</description>
			<content:encoded><![CDATA[<div>Source from <a href="http://big5.ce.cn/gate/big5/intl.ce.cn/gjzx/yz/201008/11/t20100811_21710242.shtml" target="_blank">中國經濟網</a><br />
<br />
<b>日本蝸居裏的大生活:Lucky Drops堪稱建築瑰寶</b><br />
<br />
2010年08月11日 08:07   來源：北京日報   楊孝文<br />
	<br />
<img src="http://img718.imageshack.us/img718/6343/w020100811294737003968.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
在12米寬的地方建造的“Lucky Drops”<br />
<br />
<img src="http://img708.imageshack.us/img708/5003/w020100811294737263662.jpg" border="0" alt="" onload="NcodeImageResizer.createOn(this);" /><br />
<br />
　　據國外媒體6日報道，長久以來，日本人便一直忍受著擁擠的城市以及嚴重不足的居住空間，他們的房子個頭小得可憐，以至於一名傲慢的歐洲官員一度將它們稱之為“兔籠”。但最近幾年，日本建築師卻正將這種“不得不小”變成一種優勢，你追我趕地為極其狹小的地帶設計非傳統並且在外觀上令人稱奇的房屋。<br />
<br />
　　很少有美國人認為一個只有停車位大小的空間足以讓他們在上面建造一座房子。但在日本，一座又一座房屋卻在極為狹小的地帶拔地而起，一些房屋的面積只有區區300平方英尺(約合28平方米)。它們往往採用閃閃發光的玻璃立方體、纖維增強塑膠以及超薄鋼膜等高科技建築材料，堪稱引人注目的建築界瑰寶。<br />
<br />
　　“利用更小空間做更多事情”已經成為日本房屋設計的一種潮流，此時的房屋不但可愛同時也富有智慧，讓居住在裏面的人感到舒適和愜意。超小屋通過摒棄入口、走廊、內墻、壁櫥等傳統要素盡可能節省空間。房屋的窗戶大小形狀不一，散佈在墻壁上，浴室被一道簾布隔開，傢具則可以折疊並塞入墻內，從而讓房間擁有多種用途。此外，設計師還為房子覆蓋上一層透明皮膚以在最大限度上利用自然光。<br />
<br />
　　在一個只有40英尺(約合12米)寬的狹長地帶，東京建築設計師山下泰裕建造了一座主打“瘦長牌”並且類似大教堂的未來派房屋，取名為“Lucky Drops”。他說：“Lucky Drops建在一個非常狹長的空間上，光線只能從天花板射入。所有光線都來自於頂部，整座房子就像是日本的一盞紙燈。”<br />
<br />
　　山下泰裕說：“一提到房子，人們往往首先想到房屋面積，而作為建築師的我們想到的則是3D空間。充分利用所有3個維度，我們便可以讓空間看上去更大，同時擁有更多功能。”<br />
<br />
（責任編輯：王惠綿）</div>

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